Instead of my original plan to strip off the finish with denatured alcohol, I decided to just clean it with a damp cloth. It was really dirty and much of the dullness was simply dirt. There were a few loose parts along the bottom that I can glue and nail back into place but all-in-all it did not need to be stripped to become beautiful once again. The veneer was almost gone from the waterfall section of one door so I removed the rest of it, sanded, then stained the wood that remained.
See the door on the right side? Veneer is removed! |
While I was at it I dabbed a bit of stain on any of the other exposed parts that were now light wood. This was an easy fix and it looked amazing:
While the stain was drying I cleaned out the inside and tried to figure out how a Singer 66 Red Eye would fit. It could sit in the top framework but how did it "attach"? I looked online for some kind of a guide and found two videos about this type of cabinet and how they work. It works on the principle of an elevator. Say what? I kid you not, it moves up and down on a heavy duty spring. My parlor cabinet had all of the parts and the leather belt even fit the Singer 66 sitting up top.
Treadle mechanism hides behind a door on right. |
My Singer 66 Red Eye dates to 1917 |
Next up is leveling the head in the opening and I thought it should have a nice coat of the Howard's Feed & Wax to bring out a glow:
Closer view of detail work that is all glued on (but real wood) |
What happened to the standard treadle that I put on the sale? I decided to add a Singer 306 so you can straight and zigzag stitch. I left the motor attached so it can even be used with electricity if you are into speed. It really works quite well and I almost hate to part with it but I keep telling myself you can't keep them all.
1 comment:
That is one beautiful cabinet, and the machine is gorgeous too.
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